The fund is a mechanism to invest and partner with artists, documentarians and/ or filmmakers whose work embodies a spirit of exploration and deep inquiry. Ten Finalists will receive an investment of $10,000 for the creation of a short film.

We are a community of artist - activists, technologists, community organizers and journalists working to build cultural power through the reclamation of story as a public common.

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Meet Our 2021 Finalists!

Chromatic Black announces 10 emerging Black artists as finalists in the inaugural Ida B. Wells: Disrupting the Master Narrative Fund.

Finalists were from over 400 submissions, include: critically acclaimed filmmaker Julie Dash, director of the groundbreaking “Daughters of the Dust”, Gloria Steinem, renowned political activist; and Jeffrey Kusama-Hinte, Academy and Emmy Award-nominated, Golden Globe-winning producer – The full list of 2021 jurors can be viewed here.

Named after investigative journalist and anti-lynching activist, Ida B. Wells, the fund is rooted in the understanding that building an equitable society is a creative act. Hon. Chair Paula Giddings notes, “justice begins with the imaginary power of Black creatives to deconstruct stereotypes, build cultural power, and envision a future through powerful storytelling.”

“The slate was all that we hoped for – great stories that need to be told:  provocative, risky, culturally resonant that help make meaning of our past, present, and future.” Emil Pinnock

2021 Ida B. Wells Fund Finalists Are:

Lamard W Cher-Aime, “Captain Zero: The Animated Series,” speaks to the importance of mental health awareness in Black communities;

Chuck Gomez,” Opus Pointis #1: A Symphony for Social Justice,” details the struggles of eight African American classical musicians;

Mylrell  Miner, “Hang,” invites audiences to engage critically into the dynamics of gentrified communities;

Christine Swanson, “Sunflower: The Fannie  Lou Hamer Story,” looks at modern-day voter suppression through the powerful words of the 60’s Civil Rights heroine; Lynelle White, “Hatchback,” looks at a blue collar  African-American family struggling to make it;

I am only a mouthpiece through which to tell the story of lynching and I have told it so often that I know it by heart. I do not have to embellish; it makes its own way.

Ida B. WellsJournalist Activist

Eternal vigilance is the price of liberty, and it does seem to me that notwithstanding all these social agencies and activities there is not that vigilance which should be exercised in the preservation of our rights.

Ida B. WellsJournalist Activist